The Way, Way Back

“The Way, Way Back” will work for many as an indie, coming-of-age crowd pleaser, but through its characters and its story, it struggles to find a voice.

There’s a scene in “The Way, Way Back” where Duncan’s mom Pam explains how she was won over by her new boyfriend Trent. “We’re all in this together,” he told her. That’s sweet, but what’s “this” and why exactly are they “in this” at all?

“The Way, Way Back” will work for many as an indie, coming-of-age crowd pleaser, but through its characters and its story, it struggles to find a voice and a purpose to build a film with real heart and depth.

Just why is Duncan (Liam James), the film’s 14-year-old protagonist, an especially mopey teenager? Hunched shoulders and head down at all times, he can barely string a few words together, let alone tell us why he’s so depressed or what he’s like. His interests seem to include REO Speedwagon and playing with sand, but that’s not much to go on.

His real bitterness stems from a dislike of his mom’s (Toni Collette) new boyfriend Trent (Steve Carell). Trent has taken them both on a vacation to some undisclosed quaint beach town for apparently the whole summer, and although he’s trying to make this a family, the two don’t seem to get along.

Duncan is however drawn to the lazy, oafish, playboy owner of a waterpark named Owen (Sam Rockwell). Owen offers him a job and takes him under his wing, teaching him Midwestern urban legends and how to not-so-discreetly stare at girls in bikinis. He even gives him helpful prodding to join in a dance battle. Continue reading “The Way, Way Back”

The Descendants

“The Descendants” is a complex family drama that provides lots of inner details without ever delving into them and becoming bloated

“The Descendants” is a film filled with bitterness, resentment and judgment. And yes, I would say it’s a comedy and that it’s quite lovely.

If the film’s idyllic Hawaiian setting or quirky indie comedy trailers seem deceptive, that is exactly the point. “The Descendants” is a film about appearances, and with each character there is a long lineage of Hawaiian heritage who show us that with every meeting and action, we carry along with us emotional baggage and sins of the past that skew our perception of the present.

We want to be honest about the here and now, but in others we only see the past. Sometimes what we see seems unfamiliar, and it’s tough to forgive. Continue reading “The Descendants”