Folk music is that most honest of all music genres. It’s often just a man, his words and his guitar, and through simple song structure and intimacy of the performance, it hits searing individual truths. And yet when folk music is done poorly, it can be the most hammy and phony of all, a parody of itself and hardly a solid piece of music.
The only American directors capable of handling that dichotomy are the Coen Brothers. The two are masters of characterization and tone, bordering on satire and sincerity with each of their characters. “Inside Llewyn Davis” is their folk ballad, and it’s a searing portrait of an unlikeable and sullen artist, one that feels warm and honest without ever trying to fake folksy charm.
“Inside Llewyn Davis” could not be possible without the lead performance of its title character by Oscar Isaac. In this film full of cartoonish supporting players coloring a strange, tough-to-crack world, Isaac plays Llewyn with every ounce of attitude and truth. Llewyn is completely unlikeable, stuck-up, lazy, pretentious, snarky and never cool, and Isaac turns him into a tragic figure befitting a travelling folk song. Continue reading “Inside Llewyn Davis”
