Rapid Response: National Velvet

 

Let’s call a spade a spade and acknowledge that for how much I’ve said these Old Hollywood movies from the late ’30s and ’40s up through the ’50s comprise just about the best time period for movies, there are quite a few that have aged terribly.

“National Velvet” is a fine example of a super corny, campy, hokey, dopey, feel good, family movie that would make a number of modern audiences wretch. Yet it’s survived based on its pedigree. Mickey Rooney was an insurmountably huge movie star when this movie came out in 1944, and at the age of 12, it was just about the first big role for the recently late Elizabeth Taylor, whose own movie stardom needs no further editorializing. It even has a small part for Angela Lansbury, who was nominated for an Oscar for a different film and lost to one of her “National Velvet” costars for Best Supporting Actress.

But the film could not be more cut and dry. A girl with dreams and ambitions to own a horse that she loves and cares for deeply ends up winning the horse of her dreams in a raffle, discovers the horse’s potential to race and jump and enters it to race in the Grand National race in 1920s England. She goes as far as racing the horse herself and winning, despite being disqualified for being an underage girl. Continue reading “Rapid Response: National Velvet”

Rapid Response: The Manchurian Candidate (1962)

In honor of this 4th of July holiday that just passed, I’ve watched a patriotic, political thriller classic, John Frankenheimer’s “The Manchurian Candidate” from 1962.

Really, the movie isn’t patriotic at all, but it’s about the Cold War and a Communist conspiracy theory and Presidential hoohah. And it has Frank Sinatra in it, who of course is as American as apple pie. Rather, it’s a carefully drawn and ultimately tragic thriller that seems to have not aged a day (although there is maybe one silly reason why it has), least of all in its engaging cinematic style.

Most thrillers like this, or specifically ones made around the early ’60s and moving into the ’70s, are strictly business in their story, building layer upon layer of complication and tension without leaving much room for character. That’s not necessarily a slam on those films, many of which become careful studies in exactly the diligent style they take. But “The Manchurian Candidate” is such a complex thriller, and yet the character back stories are key to the plot’s unraveling. Continue reading “Rapid Response: The Manchurian Candidate (1962)”