Ready Player One
Ernest Cline’s book is the subject of much deserved backlash, but Steven Spielberg’s film might be interesting if it was even half as problematic
Movie Reviews of New Releases and Classic Films by Brian Welk
Ernest Cline’s book is the subject of much deserved backlash, but Steven Spielberg’s film might be interesting if it was even half as problematic
John Krasinski’s horror thriller goes beyond being a gimmicky movie for enhanced jump scares
Olivia Cooke and Anya Taylor-Joy are remarkable in Cory Finley’s darkly funny, opulent and dryly smart film destined to become a cult classic
“Red Sparrow” starts with an intriguing premise built around sexual power, but becomes a more convoluted and conventional spy thriller
From director Andrey Zvyagintsev, “Loveless” is equal parts “Prisoners” and “A Separation.”
Alex Garland’s “Annihilation” blends too many genres, themes and tones in this often entrancing, colorful, yet impenetrable sci-fi.
Ava DuVernay’s “A Wrinkle in Time” wants to be the most glorious, inspiring movie you’ve ever seen. It’s also ridiculous.
I think I had this fantasy that the next time I wrote one of these blog posts, I’d have a completed shell of the song I did a very rough demo of the last time. Surprise surprise! Songwriting is hard. And it’s work. I’ve had enough jam sessions that make me feel fantastic about how … Continue reading “Songwriting Blog #2”
Margot Robbie shines in “I, Tonya,” but the movie often feels tone deaf in its comedic depiction of domestic violence amid Tonya Harding’s tabloid story.
The Safdie Brothers’ “Good Time” is a neon-lit trip that’s hypnotically chaotic as though we’re seduced by Robert Pattinson’s tragic trial and error.