The movies and the performers that don’t stand a chance of getting nominated this year.
Each year there are movies and performers that don’t just fail to get nominated for the Academy Awards but aren’t even in the conversation. This is where the Anti-Oscars were born.
Blogs, critics and Oscar pundits spend a lot of time discussing what’s in and less discussing what’s out. So although I’ve taken the time to do actual Oscar predictions, hopefully this piece can shed some light on under the radar work while placing it in the context of this behemoth we call the Oscar race.
Some of this year’s actual Oscar nominees are as strong as they’ve ever been, and yet it still boggles the mind that the Academy considers there to be nine better movies than “Before Midnight”. That nominee, along with “Blue Jasmine,” “All is Lost” and “Fruitvale Station,” will likely miss the cut, but they were at least on someone’s radar.
Movies like “The Spectacular Now” and “Frances Ha” are those indie gems that never get noticed by the Academy, maybe an Original Screenplay nod if they’re lucky. They represent the modernity and the youth often missing in the Oscars. They’re actors’ films with minimal story but an exploration of a point in life, and they share the style that makes them distinctly cinema.
“Spring Breakers” and “Upstream Color” are on the other end of the spectrum, indies too weird and polarizing to even be considered by the old fashioned Academy, even if their membership is slanting younger. Both utilize excessive style and their directors’ daring vision to create jarring, innovative films, one about way too much and the other arguably about nothing at all. Both however are beguiling, hypnotic mysteries.
In the middle are “Prisoners” and “The Place Beyond the Pines,” both midsize thrillers that were labeled as either too ridiculous or too portentous. They stretch storytelling boundaries with their ambitious screenplays, and they earn major thrills that even some of the likely Best Picture contenders can’t muster.
And last are the two studio movies, “This is the End” and “The Hunger Games: Catching Fire,” one a bit more massive than the other. These movies are why most people go to the movies, and they’re the ones that almost never show up on Hollywood’s most important night. They combine massive movie star appeal with rambunctious and accessible storytelling. But most of all, they’re fun. If the Oscars can be self-serious homework, these movies are a different sort of escapism. Continue reading “The 3rd Annual Anti-Oscars”
More so than a scathing look at Hollywood, “This is the End” is Seth Rogen and Company taking the piss, lampooning their screen selves for yucks all around.
There might be a few people disappointed that “This is the End” effectively closes the door on a “Pineapple Express” sequel in one quick, hilarious scene. The “Superbad” reunion is even shorter. And for what it’s worth, “This is the End” might just be the last time you see any of these actors make a movie this silly and outrageous again.
But I guess that’s appropriate for a comedy about the end of the world. If Seth Rogen and Evan Goldberg were going to make a movie that allows Seth, Jay Baruchel, Craig Robinson, Jonah Hill, James Franco, Danny McBride and all their other assorted friends the chance to play the fool one last time, they’d better do so in the most spectacularly destructive way possible.
Although they’re all playing themselves, this time officially, Rogen and Company have effectively driven the stake in their on-screen personas that have followed them through so many films since the “Knocked Up” days. They’ve been impaled by street lamps, sucked into sinkholes, eaten by cannibals and raped by demons, and maybe now they can usher in a new era of comedies from the ashes of their hilariously vulgar corpses.
More so than a scathing look at Hollywood, “This is the End” is the crew taking the piss, lampooning their screen selves for yucks all around. The film begins with Jay visiting Seth in L.A., in which the two have an epic weekend of pot and video games ahead of them. Is this their lifestyle? Perhaps not, but we as an audience can’t truly see them any other way. Continue reading “This is the End”
You should know that I don’t really consider the year over until all four and half hours of the Oscars have aired, so I have no reason to do a 2013 movie preview just yet. There are more than enough blogs with lists that’ll tell you there’s a new “Star Trek” movie coming out or that there are a half dozen superhero sequels and reboots set to clog up the summer.
Frankly I’m more interested in the movies that absolutely no one’s heard of yet, but suffice it to say there are a few already that have piqued my interest. So these are just the movie guy movies that don’t have established fan bases nor require plot speculation. I can be comprehensive next season.
Inside Llewyn Davis – Coen Brothers (TBD)
If you’ve called yourself a film buff in the last 10 years, how could a new Coen brothers movie not by at the top of your most anticipated list? Their new film is a dramatic foray into the world of 60’s folk rock. Oscar Isaac, who you might recognize as Carey Mulligan’s (also starring here along with Justin Timberlake) husband in “Drive,” plays the title character, a New York based producer modeled off the life of Dave Van Ronk.
“Prisoners” is the first English language film from the French Canadian director Denis Villeneuve, who brought us the excellent Oscar nominated drama “Incendies.” “Prisoners” has an absolutely terrific cast including Hugh Jackman, Jake Gyllenhaal, Paul Dano, Maria Bello, Terrence Howard, Viola Davis. The screenplay, however, by the writer of the unfortunate “Contraband” has been on the shelf awhile as it changed casts and directors.
Gravity – Alfonso Cuaron (October 18)
Alfonso Cuaron is supposedly attempting an unbroken take that lasts for 30 minutes in his new sci-fi “Gravity” (who does he think he is, Bela Tarr?) starring Sandra Bullock and George Clooney. If he pulls it off, it’ll be mighty impressive considering that it’s being shot in 3-D.
To the Wonder – Terrence Malick (April 12)
“To the Wonder” was almost universally hated when it premiered at the Venice Film Festival last year and was pushed back to 2013, and frankly, the trailer was edited in such a way that if you were to make a parody trailer of what a Terrence Malick movie looked and felt like, this would be it. If there’s less buzz surrounding it than Malick’s untitled Austin, Texas music scene movie that apparently stars everyone, that’s because “To the Wonder” is a companion piece to “The Tree of Life,” even going as far as to use some of the same footage. Granted, it could still be a masterpiece.
The Wolf of Wall Street – Martin Scorsese (TBD)
Yes, Scorsese pictures with Leo in them are great and all, and this one about a crooked NY stock broker seems to be more up Marty’s ally than “Hugo” or “Shutter Island,” but the big buzz is that the screenplay comes from “Sopranos” and “Boardwalk Empire” creator Terence Winter. It also stars Jonah Hill (could we soon be saying TWO-TIME Oscar nominee Jonah Hill?) and Matthew McConaughey, who is no doubt on a roll.
Labor Day – Jason Reitman (TBD)
Thankfully not another idiotic incarnation of the “New Years Eve” and “Valentine’s Day” movies, “Labor Day” is Jason Reitman’s first real foray into drama. The screenplay is his own from Joyce Maynard’s novel about a depressed woman (Kate Winslet) who offers a ride to an escaped convict (Josh Brolin).
Side Effects – Steven Soderbergh (February 8)
“In some instances, DEATH may occur,” i.e. the best tagline ever. You know Soderbergh, no one is going to believe that you’re retiring if you keep putting out a movie every six months. “Side Effects” is a romance and thriller surrounding a depressed woman (Rooney Mara) and the doctor (Jude Law) providing her prescription medication. It should make for a good thriller, as Soderbergh is working with the same screenwriter behind “Contagion.”
Before Midnight – Richard Linklater (Sundance first, then TBD)
In “Before Midnight,” Richard Linklater is revisiting Jesse and Celine again another nine years after “Before Sunset,” which of course was the sequel to “Before Sunrise” from 1995. Both Ethan Hawke and Julie Delpy are now credited writers in what is sure to be another intelligent and improvised character study.
This is the End – Seth Rogen and Evan Goldberg (June 14)
I’m always wondering how some comedians today can make an outrageous and even groundbreaking web series or video and yet can continually make boring and cliché Hollywood comedies. Well, my prayers have been answered with “This is the End,” a movie that throws a bunch of celebrities together and lets them play off their own perceived screen personas in a madcap comedy about the end of the world. The Red Band trailer is hysterical.
I’m So Excited – Pedro Almodovar (March in Spain, then hopefully US before long)
It’s been nearly two decades since Pedro Almodovar has made a comedy, and he’s never made one with his two muses, Penelope Cruz and Antonio Banderas, both together. The trailer features three very gay flight attendants in very flamboyant colors singing the Pointer Sisters, so yes, I’m very excited.
The Place Beyond the Pines – Derek Cianfrance (March 29)
I have to keep telling myself this is not “Blue Valentine” meets “Drive.” It stars Ryan Gosling as a motorcycle stunt driver on the run from a cop (Bradley Cooper) in Derek Cianfrance’s follow-up to his indie darling. Both characters however are strong father figures, and this thriller uses that as a powerful theme throughout.
“The Disappearance of Eleanor Rigby: His” and “Hers” (TBD)
“The Disappearance of Eleanor Rigby” is actually two films, although I’m not sure what either has to do with The Beatles, if anything. One is told from the perspective of the husband in a troubled relationship (James McAvoy) and the other is from the wife’s (Jessica Chastain).
Oldboy – Spike Lee (October 11)
Yes, this is a remake of the IMDB Top 250 darling “Oldboy” by Chan-wook Park, who is ironically also releasing a movie this year, “Stoker.” It stars Samuel L. Jackson, Josh Brolin, “Martha Marcy May Marlene’s” Elizabeth Olsen and “District 9’s” Sharlto Copley.
Captain Phillips – Paul Greengrass (October 11)
I was disappointed with Paul Greengrass’s last film “Green Zone,” so I’m hoping for a return to form in “Captain Phillips.” He’s cast Tom Hanks in the title role as a captain dealing with the first of the Somali pirate hijackings that took place in 2009. The screenplay comes from Billy Ray, director of “Breach” and co-screenwriter of “The Hunger Games.”
“The Monuments Men” – George Clooney (December 20)
“The Monuments Men” will be George Clooney’s fifth film behind the camera. It’s a World War II story about art historians trying to retrieve artwork stolen by the Nazis. It’s rumored to star Daniel Craig, Matt Damon, Cate Blanchett, John Goodman and “The Artist’s” Jean Dujardin. Could be Oscar gold.
Ender’s Game – Gavin Hood (December 1)
“Ender’s Game” is one of my favorite childhood books I have no recollection of, a “Hunger Games” esque story in which kids are trained for intergalactic battle by participating in war games. Author Orson Scott Card was for a very long time hesitant to release the rights to the film, fearing that the movie would have to be very different from the book to be successful. Well, supposedly now it is, and he feels confident about the script. “Ender’s Game” is directed by Gavin Hood and stars Asa Butterfield, Abigail Breslin and Harrison Ford.
The World’s End – Edgar Wright (October 25)
Edgar Wright is returning to his collaboration with Simon Pegg and Nick Frost to create the third film in what’s known as “The Blood and Ice Cream Trilogy.” Despite being yet another comedy about the apocalypse this year, these guys are a tried and true pairing.
Sound City – Dave Grohl (February 1)
Foo Fighters front man Dave Grohl, in his quest to be everywhere at once, has now taken up documentary filmmaking with his debut movie “Sound City.” He’s gathered a huge flock of his rock star friends to discuss the joys of recording at a long forgotten studio called Sound City. The film will premiere at Sundance (and Grohl will be on hand with a performance by the newly formed Sound City Players) but will be available for download shortly thereafter.
A Glimpse Inside the Mind of Charles Swan III – Roman Coppola (February 15)
Roman Coppola’s (frequent Wes Anderson collaborator) second film could just be the most bananas comedy of the year, and not just because the movie poster is just one giant banana. Charlie Sheen plays Charles Swan III in this bizarre, surreal comedy starring Jason Schwartzman and Bill Murray.
Dead Man Down – Niels Arden Oplev (March 8)
The trailer looked pretty ho-hum, but Niels Arden Oplev gave me the biggest surprise of the year in his Swedish version of “The Girl With the Dragon Tattoo.” This English language film actually reunites him with Noomi Rapace in a crime thriller about a woman who seduces a mobster to seek revenge.
Movies you might think I’d be more excited for, but no
“The Great Gatsby,” “The Hunger Games: Catching Fire,” “Oblivion,” “Star Trek Into Darkness,” “Elysium,” “Pacific Rim,” “Sin City: A Dame to Kill For,” “Saving Mr. Banks,” “Oz the Great and Powerful,” “Man of Steel,” “The Wolverine,” “Anchorman: The Legend Continues,” “Iron Man 3,” “Kick-Ass 2,” “Thor: The Dark World,” “The Lone Ranger”