The Worst Best Movies of 2014

The most “overrated” movies of 2014, from “Nymphomaniac” to “Locke” to “The Double”.

There are critics, and then there are trolls. A troll is someone who enjoys raining on the parade, to take a beloved classic and tell you everything you thought you enjoyed about it was wrong. The troll only hates something because everyone else enjoys it, and the troll wants to define himself or herself by blazing their own path and forming an interesting, provocative opinion that challenges the status quo of their peers.

I’d hate to think that my opinion on an individual movie would completely define my own personality or my taste in film. That’s because each year, a number of highly critically acclaimed films come out, and not every critic can reasonably get behind all of them. In fact, some critics find a handful of films in this bunch downright bad, and they struggle to explain what all the fuss is about. It happens every year, with just about every movie. Yes, even “Boyhood.”

And yet each year, there are angry commenters who shun the first critic to break the 100 percent Rotten Tomatoes score, and there are people who aim to invalidate a critic’s entire reputation by saying, “How could you hate X and yet give a good review to Y?”

This year I found myself on the far end of a few of these critical spectrums; that doesn’t change the fact that I absolutely loved loved LOVED so many of the other critical darlings and cultural hits from 2014. Yes, that one too.

So take this list with a grain of salt. It’s not meant to be contrarian or say these movies are overrated. Just know that much as I disliked this small batch of films, they’re each admirable, ambitious and memorable in a way you could very well love. Just don’t hold it against me.

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Side by Side: The Double and Enemy

Two films were released this year about people who look identical, but they’re highly different films.

“You’re in my place.” That’s the opening line to “The Double,” and it’s the on-the-nose thesis to both that movie and a similar film also released this year, “Enemy.” In each film, a timid and lonely protagonist comes face to face with a more confident doppelganger, causing the original’s life to unravel.

Two copycat movies in a given year is a jarring coincidence, but to call them doppelgangers of each other would be a misnomer. However, it certainly doesn’t help that both are based off books called “The Double” and that neither is particularly good.

More so than a replica of “Enemy”, “The Double” is actually a pastiche of Orwellian dystopias, most notably Terry Gilliam’s “Brazil”. Director Richard Ayoade’s first film was yet another cinematic pastiche (or homage if you prefer) called “Submarine” that reimagined the French New Wave with its own dark comedy turns. This new film owes Gilliam a lot, with drab colors and cold, boxy, ‘80s machinery and technology filling every part of the set design. Continue reading “Side by Side: The Double and Enemy”