Good Time

The Safdie Brothers’ “Good Time” is a neon-lit trip that’s hypnotically chaotic as though we’re seduced by Robert Pattinson’s tragic trial and error.

Good Time Poster“Don’t count your chickens before they hatch, do you know what that means?” A social worker in the Safdie Brothers’ “Good Time” asks that question to Nick (Benny Safdie), a dead-eyed man with a stony, gaping face and who is mentally challenged. The social worker asks a few more questions, and just as he’s making a breakthrough, with Nick even shedding a tear, his loving but unhinged brother Connie (Robert Pattinson) whisks him away.

Connie would’ve done well to hear that age-old proverb. That’s because “Good Time” is a carnival ride careening out of control, a neon-lit trip as one man’s desperate attempts to get his brother out of jail destroys the lives of everyone in his wake. It’s hypnotically chaotic and irresistibly surreal as though we’re seduced by the character’s tragic trial and error as things get worse and worse. Continue reading “Good Time”

Water for Elephants

“Water for Elephants” is a classically good romance with a period-piece vibe. The film’s title, which it takes from a book of the same name, is symbolic of the falsity in the main character’s life. But there’s nothing fake about the actual circus of a film director Francis Lawrence creates.

That tangible quality of ‘Water for Elephants” is part of its appeal. Robert Pattinson, Reese Witherspoon and Christoph Waltz all interact with physical, flesh and blood animals including the aforementioned elephant, and their personal interactions are real and simple enough to reach out and touch them.

In a day and age when modern romances can seem so stretched, this one is smart enough to convince us otherwise. Continue reading “Water for Elephants”