Frances Ha

“Frances Ha” touches on the same generational dilemmas of modern millenials in the same way as “Girls,” but does so with its own style and originality.

Does 27 feel old? 23-years-old, which I’ll be in a week, is starting to feel that way: too young to really have forged a career in this day and age, yet too far out of school to still be coasting.

So it must feel ancient for someone like Frances (Greta Gerwig), the title character of “Frances Ha,” who is rapidly approaching that of a mature failure, but still feels young enough to be figuring things out. Noah Baumbach’s film captures the generational feel of modern millenials, much the same themes as Lena Dunham’s “Girls,” but does so in a way that feels fresh and personal.

Frances might just be a female Woody Allen surrogate for a new generation. Baumbach and Gerwig’s dialogue often feels like vintage “Hannah and Her Sisters,” with four-way conversations surrounding a dinner table that touch on joblessness, hipster poverty and casual hook-up culture in all the best ways, and all of it happening a mile a minute. Continue reading “Frances Ha”