The Ides of March

George Clooney’s political drama lacks the complexity and emotional punch of its predecessors.

Why can’t the Democrats just flat out say how crazy they think all the Republicans are? What is the point of being both rational and polite when it doesn’t make for good drama and certainly doesn’t make for good politics?

“The Ides of March” is a very deliberate, direct film with domineering characters that say what they mean and don’t pull their punches. They don’t have any real wit, charm or depth, but by God they get the job done.

George Clooney’s political thriller follows the events of the Democratic primary and the actions of intelligent, confident and ego driven campaign advisers who will do anything to win. Continue reading “The Ides of March”

Cyrus

“Cyrus” is what is known as a “mumblecore” film, which is a new revolution of indie filmmaking. The genre is known for its real characters and even more “real,” if mundane, plots. Its lo-fi style makes its characters and their common problems highly relatable, but not all mumblecore films can avoid feeling contrived.

I identify most closely with John (John C. Reiley), a lonely and divorced 40-something who abruptly discovers his ex wife (Catherine Keener) is getting remarried. The two remain congenial, and she invites John to a house party where he can meet a girl and drown his sorrows.

John’s monologue spoken to a disengaged girl at the party, delivered so affectingly and with frailty by Reilly, is very close to what I feel at times, and what I imagine most average people go through. He says he’s in a tailspin, that he’s depressed and lonely, but he knows himself to be a fun person with so much to give if he only finds the right person.

This man is not starting at rock bottom. How many people really do? We go through lonely, turbulent times, but many of us can still persevere and continue living. This is a common and true emotion rarely seen in mainstream Hollywood. Continue reading “Cyrus”

Crazy, Stupid, Love

“Crazy, Stupid Love” is a rom-com salvaged by its cast but done in by a strange side plot.

Steve Carell is hoping to be a movie star after “The Office.” Ryan Gosling is trying to prove he can do more than simply dramatic method acting. Emma Stone wants to be seen as more than a kid. “Crazy, Stupid, Love” tries so hard to be generic and boilerplate, and there’s a sense the cast would simply not allow it. Continue reading “Crazy, Stupid, Love”

The Wrestler

“The Wrestler” is the story of Randy “The Ram” Robinson, a washed up wrestler from the 80’s. But it is also the story of a stripper with a heart of gold, Mickey Rourke with his amazing comeback to acting, and all of us, focusing on the pain and suffering we endure to be loved and accepted, and it’s absolutely beautiful.

Mickey Rourke plays Randy, and with the pain he’s had to face until now, this story may as well be autobiographical. With that said, Rourke puts his heart and soul into this performance, creating one of the most identifiable characters of the year. Randy is lonely and defeated, and he knows he deserves to be nothing more, but he is so dedicated to the people he loves including his daughter Stephanie (Evan Rachel Wood), Cassidy the stripper (Marisa Tomei) and most importantly his fans as “The Ram.” We can’t help but return his kindness. Continue reading “The Wrestler”