Jeff, Who Lives at Home

Sometimes movies try so hard to be realistic they forget that they’re still movies.

The heartwarming comedy “Jeff, Who Lives at Home” has a mystic fascination with the idea that some signs that point to our destiny are almost too powerful to not be scripted.

Jeff (Jason Segel), the 30-year-old, couch-ridden stoner living with his mom (Susan Sarandon), believes in such a fate, and he thinks it’s more than coincidence he bumped into his brother Pat (Ed Helms) to help him investigate if his wife Linda (Judy Greer) is having an affair.

The film has a subtly self-aware plot structure. These characters belong in a small-scale indie movie, but they keep getting put into madcap situations worthy of something greater. Continue reading “Jeff, Who Lives at Home”

Cyrus

“Cyrus” is what is known as a “mumblecore” film, which is a new revolution of indie filmmaking. The genre is known for its real characters and even more “real,” if mundane, plots. Its lo-fi style makes its characters and their common problems highly relatable, but not all mumblecore films can avoid feeling contrived.

I identify most closely with John (John C. Reiley), a lonely and divorced 40-something who abruptly discovers his ex wife (Catherine Keener) is getting remarried. The two remain congenial, and she invites John to a house party where he can meet a girl and drown his sorrows.

John’s monologue spoken to a disengaged girl at the party, delivered so affectingly and with frailty by Reilly, is very close to what I feel at times, and what I imagine most average people go through. He says he’s in a tailspin, that he’s depressed and lonely, but he knows himself to be a fun person with so much to give if he only finds the right person.

This man is not starting at rock bottom. How many people really do? We go through lonely, turbulent times, but many of us can still persevere and continue living. This is a common and true emotion rarely seen in mainstream Hollywood. Continue reading “Cyrus”