Dawn of the Planet of the Apes

Apes; they’re so much like us. They start off as promising, cute, smart and full of life, and it isn’t long before they’re dropped into the grim reality of the real world.

And so it goes with ape franchises. “Rise of the Planet of the Apes” was an unexpected gem, a film that served as a prequel on a technicality but was entirely its own story. The use of unrivaled motion capture visual effects was enhanced tenfold by the film’s careful knack for suspense, its crafty long takes and tracking shots, its creative action scenes, the wordless expressions of pathos and so much more.

“Dawn of the Planet of the Apes” could no longer be the somewhat whimsical and fantastical story and still be the dark and serious, world-impacting epic the blockbuster crowd expects. The apes have learned much from man, modeling even their most conventional stories in every way. Continue reading “Dawn of the Planet of the Apes”

Zero Dark Thirty

At the end of “The Hurt Locker,” Sergeant William James returned home from his tour of duty and stood in the aisle of a supermarket, overwhelmed and lost. After all he had seen and done, what more did he know to do?

Kathryn Bigelow and Mark Boal have explored this dilemma yet again in “Zero Dark Thirty,” only now we’re at the center of a cold, revenge fueled manhunt for the most wanted man in the world, Osama bin Laden. Now that we’ve got him, what’s next?

“Zero Dark Thirty” is a stirring procedural drama that examines the more exciting, alleviating, gripping and harrowing moments of our decade long battle with Al Qaeda. And because it feels so thoroughly investigated by Mark Boal and so intensely staged by Bigelow, it is at the center of major controversy in the CIA and US Senate. But there is no nobility here. The film hardly advocates torture. Through depiction, not endorsement, it suggests that our revenge soaked victory may be more hollow than we imagined. Continue reading “Zero Dark Thirty”