Certain Women

Kelly Reichardt’s modest drama feels as slow and contemplative as her previous films

certainwomenposterKelly Reichardt makes minimal, contemplative character studies about women in modest conditions. They exist in the world and respond to their environment. In “Wendy and Lucy” Reichardt told the story of a homeless woman and her bond with her missing dog. In “Meek’s Cutoff,” she took the romance out of the Oregon Trail. And in her latest “Certain Women,” she examines three stories of women who don’t get the respect for the hard work they do.

But if there’s one commonality between all three films, it’s that they are horribly boring. They’re studious, academic movies made to be interpreted in the gaps between the words left unsaid, and there are a lot of them. And like the nature in this small Montana town, its actual story and depth are bone dry and desolate.

Laura, Gina and Beth all live in a small town called Livingston and share very loosely connected narratives. Laura (Laura Dern) has a law office and a particularly troublesome client named Fuller (Jared Harris). His life was ruined due to a construction accident but who accepted a settlement and waived his right to sue. For eight months Laura has been trying to explain why she can’t help him, and in a visit with one male lawyer, all her work is undone. He’s a potential danger to himself and others, and she has to balance her own frustration with her empathy for him. Continue reading “Certain Women”