The Disaster Artist

James Franco’s “The Disaster Artist” doesn’t have the personality and vision of Greg Sestero’s book or Tommy Wiseau’s “The Room.”

The Disaster Artist Poster

“You can be called Mark, like that guy from that movie, Mark Damon.” That’s Tommy Wiseau telling his friend Greg Sestero his vision for the best/worst movie ever made, “The Room.”

In Sestero’s book “The Disaster Artist,” which tells the story of how Greg met Tommy and came to make “The Room,” there’s a wonderful¬†chapter in which¬†Greg takes Tommy to see “The Talented Mr. Ripley.” The movie is about an enchanting fraud, a mysterious guy who poses as one identity and seduces his way into becoming a close friend to the protagonist, only for things to turn violent and deadly when he’s exposed as a phony and a shell of a real person. Tommy sees the movie and is inspired, and he goes on to write “The Room.” But Greg sees it and thinks, Ripley IS Tommy.

Tommy Wiseau is an elusive, strange figure. His inscrutable Eastern European accent and broken English, his unruly jet black hair and his bizarre fashion sense of vests, jangly keys and studded black belts just scratch the surface of his mystique. He made the worst movie ever made and has become a cult sensation for it, but is he a genius or a lunatic?

Sestero’s “The Disaster Artist” plays into Tommy’s mystique and never gives you all the answers about him. It jumps around from before and after they started making “The Room,” and as a result, you see the disaster unfolding before you. Continue reading “The Disaster Artist”