The Worst Best Movies of 2014

The most “overrated” movies of 2014, from “Nymphomaniac” to “Locke” to “The Double”.

There are critics, and then there are trolls. A troll is someone who enjoys raining on the parade, to take a beloved classic and tell you everything you thought you enjoyed about it was wrong. The troll only hates something because everyone else enjoys it, and the troll wants to define himself or herself by blazing their own path and forming an interesting, provocative opinion that challenges the status quo of their peers.

I’d hate to think that my opinion on an individual movie would completely define my own personality or my taste in film. That’s because each year, a number of highly critically acclaimed films come out, and not every critic can reasonably get behind all of them. In fact, some critics find a handful of films in this bunch downright bad, and they struggle to explain what all the fuss is about. It happens every year, with just about every movie. Yes, even “Boyhood.”

And yet each year, there are angry commenters who shun the first critic to break the 100 percent Rotten Tomatoes score, and there are people who aim to invalidate a critic’s entire reputation by saying, “How could you hate X and yet give a good review to Y?”

This year I found myself on the far end of a few of these critical spectrums; that doesn’t change the fact that I absolutely loved loved LOVED so many of the other critical darlings and cultural hits from 2014. Yes, that one too.

So take this list with a grain of salt. It’s not meant to be contrarian or say these movies are overrated. Just know that much as I disliked this small batch of films, they’re each admirable, ambitious and memorable in a way you could very well love. Just don’t hold it against me.

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Godzilla (2014)

Gareth Edwards’ “Godzilla” remake is a slow and lumbering bore with very few ideas or memorable moments.

I already got my quota of ambiguously monstrous hulking CGI masses terrorizing humanity in “Noah”, thank you very much. Godzilla is a legacy movie monster more than fit to be trotted out today to comment on climate change or national defense, but if the new “Godzilla” will not even bother to be about something more than an oversized spectacle then why am I watching it?

Director Gareth Edwards’ film is as slow and lumbering as its giant hero. The dialogue is thick, the characters are thin and the action and story are plain boring. By removing any allegory, ideas or humor, nothing gets in the way of this being purely cathartic summer mayhem, but it leaves nothing that might be memorable. Continue reading “Godzilla (2014)”