Jeff, Who Lives at Home

Sometimes movies try so hard to be realistic they forget that they’re still movies.

The heartwarming comedy “Jeff, Who Lives at Home” has a mystic fascination with the idea that some signs that point to our destiny are almost too powerful to not be scripted.

Jeff (Jason Segel), the 30-year-old, couch-ridden stoner living with his mom (Susan Sarandon), believes in such a fate, and he thinks it’s more than coincidence he bumped into his brother Pat (Ed Helms) to help him investigate if his wife Linda (Judy Greer) is having an affair.

The film has a subtly self-aware plot structure. These characters belong in a small-scale indie movie, but they keep getting put into madcap situations worthy of something greater. Continue reading “Jeff, Who Lives at Home”

Cedar Rapids

“Cedar Rapids” is not your standard fish-out-of-water comedy because its hero is only breaking out of a very small bubble into a slightly larger bubble.

For Tim Lippe (Ed Helms), Cedar Rapids, MI may as well be the land of Sodom and Gomorrah, but we know better. That’s what makes this very familiar story interesting, clever and good-hearted, but also ultimately tepid.

Lippe is travelling to Cedar Rapids for an insurance convention, and he’s determined to come back to his small hometown in Wisconsin with the coveted Two Diamonds prize.

Having never left his hometown, Lippe is scared witless by these people with so much “worldly experience,” namely Dean Ziegler (John C. Reilly). The Deansie may be a womanizing, drunkard buffoon typical to these comedies, but he’s only crazy and outrageous on Midwestern insurance salesman standards.

Putting these characters on such a small scale is precisely what makes them endearing, and forcing them into a truly outrageous and raunchy scenario would be a betrayal.

But when a lot is made of this Two Diamonds prize, it serves as a notorious MacGuffin. The specific plot points already matter little in a movie like this, but when their dramatic conflicts are intentionally placed on a lower pedestal, the emotional payoff is nada.

And yet there are still charming moments of comedy throughout a very funny cast. Helms plays the dope amongst dopes so well that when he’s forced to sing in front of a crowd, we forget as an actor he does it all the time on “The Office.” Reilly is having a terrific year, and The Deansie is a memorable character just because of the way Reilly controls his body as a performer. Even Anne Heche as the love interest Joan is a congenial tomcat good for a few grins and laughs.

It’s a shame the rest of the movie feels so slight and insignificant around them.

2 ½ stars

The Hangover

Remember when comedies not produced by Judd Apatow didn’t have to be about being chased by CG dinosaurs or fighting an evil Egyptian Pharaoh with Amelia Earhart? Or how about when a comedy didn’t have to star every A, B, C and D-List comedian on the planet? Me neither, but “The Hangover” is the exception.

Here is a simple, funny comedy with a not completely outrageous premise and a few characters that are familiar but not total cliché stereotypes. Doug, Phil, Stu and Alan are four guys on the way to Vegas for Doug’s bachelor party. We see them make a toast and have a drink on the roof of the hotel, and the next morning, none of them can remember anything, their room is trashed with hundreds of unexplainable details, and Doug has gone missing. What we’re left with is three characters on a kind of mystery quest to piece together everything that happened the previous evening. Continue reading “The Hangover”