American Hustle

“American Hustle” is David O. Russell’s brilliant charade of a movie led by an amazing cast.

 

Christian Bale gained 43 pounds for his role in “American Hustle.” When he first appears on screen, he spends minutes “perfecting” an elaborate comb over of glued on hair and parted strands that will fool no one.

The beauty is that Bale and O. Russell have fooled everyone. We immediately are torn between the “real” Bale, the real character he’s portraying or the carefully tailored version he’s putting on for his associates, and if this portrayal is good enough, we’ll believe whatever these master performers put in front of us.

“American Hustle” is a brilliant charade of a movie. It’s a talky, intricate and intrigue filled caper in which everyone’s a con artist and there’s little sense of what’s real and what isn’t. We’ve been conditioned to believe in the movies there’s a certain element of truth within each story, no matter how fictional, fantastical or how deceitful and crafty the characters.

O. Russell’s film takes the real life story of ABSCAM, a ‘70s FBI sting operation that convicted several congressmen and a senator, and turns that concept of reality on its head. He opens the film with “Some of this actually happened,” a clever twist on the ambiguous “Based on a True Story,” and inhabits his and Eric Singer’s screenplay with a wacky, high octane and deliciously fun investigation that can’t be fully followed, trusted or believed in the slightest. Continue reading “American Hustle”

CIFF Review: Silver Linings Playbook

David O. Russell described the Led Zeppelin song “What Is and What Should Never Be,” a song used in his new film “Silver Linings Playbook,” as bipolar.

“And if I say to you, tomorrow…” Robert Plant croons smoothly, honestly and calmly, all before a big explosion. “And catch the wind, see us spin/Sail away, leave the day/Way up high in the sky,” he screams.

“Silver Linings Playbook” is just as exciting, surprising and stylish as that Zeppelin song. It’s a crowd pleasing rom-com about two people struggling with bipolar disorder who learn to love, stay positive and enjoy family in the face of lots of hardship.

Pat Solitano (Bradley Cooper) is just being released from a psychiatric ward. Eight months earlier, he caught his wife cheating on him and beat her lover half to death, but because he was found to have undiagnosed bipolar disorder, he was able to spend his sentence in a mental institution rather than in prison.

It’s no wonder his disorder would go undiagnosed. Pat is part Italian and living in Philadelphia, and their loud, argumentative family dynamic blends perfectly with Pat’s honest, blunt and high-spirited speaking brought on by his disability. His father, Pat Sr. (Robert De Niro), also has a case of Obsessive Compulsive Disorder when rooting for the Eagles, adjusting remotes and holding lucky handkerchiefs to ensure an Eagles victory. But O. Russell realizes that all these nervous ticks just come naturally as being part of a family. Continue reading “CIFF Review: Silver Linings Playbook”

The Fighter

David O. Russell takes the boxing movie and makes it into a rich family dramedy.

I wasn’t looking at Mark Wahlberg when he was training in the boxing ring. I wasn’t watching his gloves either, moving swiftly and smoothly from blow to blow. I was watching Christian Bale playing Wahlberg’s coked out brother as he’s training in the ring along with him. In “The Fighter,” he’s not just bobbing and weaving to block the punches.

Bale portrays Dicky Eklund, the brother of Wahlberg’s Micky Ward. Ward is the fighter, training to win a title, looking for romance and struggling with his own sense of self. Dicky already had his chance. 14 years ago, he knocked down Sugar Ray Leonard and became the pride of Lowell, Massachusetts. Now it’s 1993, and he’s addicted to crack, but still he’s the life of the party. Continue reading “The Fighter”