As Emma Watson drives up to the campus of The Circle, the fictional, Google-like, Silicon Valley tech giant in James Ponsoldt’s film of the same name, the exterior is a massive, circular stone wall stretching to infinity on an island unto itself. It looks like a fascist fortress straight out of “The Hunger Games.” Even though the interior is a sort of millennial utopia, it’s not a stretch to ask, “I wonder if these guys turn out to be evil?”
“The Circle,” based on Dave Eggers’s novel, takes aim at the consequences of an overly connected, internet-obsessed digital culture. And like any movie warning of the dangers of technology, it can’t help but be cheesy. When every Bourne and Bond and HBO sitcom has taken on Big Brother, “The Circle” already looks a bit outdated.
Watson however has the idealism and innocent demeanor in her performance that actually makes you believe and embrace the Silicon Valley ideology. In Watson’s real life, she’s grown to resist taking photographs with fans and values her privacy. So she’s interesting casting as Mae, a girl who starts out as a “guppy” in a massive pond, only to become someone who broadcasts her every waking moment to the world. Continue reading “The Circle”