Chadwick Boseman just can’t find a solid prestige picture
Poor Chadwick Boseman. First he played Jackie Robinson. Then he portrayed James Brown. Now he’s NAACP lawyer Thurgood Marshall. This is the third prominent figure of 20th Century African American history he’s gotten the chance to play. And yet in each case, the movie he’s stuck in is a bland, insipid and worst of all whitewashed prestige picture.
Apparently Thurgood Marshall’s crowning achievement worthy of a biopic isn’t a story of how he became a lawyer or the racism he faced in his career. Reginald Hudlin’s “Marshall” cluelessly focuses on the one story in which Marshall is forced to be silent and cede his courtroom victory were it not for the one white man who stood up to save the day. Continue reading “Marshall”
Nacho Vigalondo’s quirky indie has a neat premise but a BIG, monster-sized problem and a weak Anne Hathaway performance.
There’s a big problem with “Colossal.” Anne Hathaway plays a woman who discovers she’s in control of a giant, kaiju monster attacking Seoul, Korea. Of course, the monster is merely a metaphor, and it finds a way of ruining both Seoul and the movie.
Nacho Vigalondo’s film gets undermined at every turn specifically because of that monster-sized metaphor that makes its story unique. “Colossal” wants to be about taking control of your life and not allowing abusive relationships to get in the way, but like any monster movie, the monster is there to ruin everything.
Anne Hathaway plays Gloria, a woman who has been depressed and mooching off her boyfriend (Dan Stevens) for a full year without a job. When he kicks her out of their apartment, she returns home and finds little better to do than sleep on an air mattress in an empty room of her parents’ old, rundown house.
She’s moving through her life as if nothing matters and that she has no impact on the rest of the world. But the metaphor couldn’t be louder when Gloria finds out there’s a gigantic monster attacking Seoul, and her every movement causes the monster to mimic her and wreak havoc.
When Gloria returns home and bumps into her grade school friend Oscar (Jason Sudeikis) who never left, she doesn’t realize that her first world problems and moping are opening up old wounds. When she expresses her astonishment that a monster is attacking Korea, her boyfriend responds, “That happened nine hours ago. What have you been doing all day?” She’s so out of it that she doesn’t realize the world has quickly moved on around her. Continue reading “Colossal”
Bill Condon’s live action remake of Disney’s animated classic is recreated with true loving care
Bravo Disney! Take a bow. If you’re going to make a shameless, expensive remake of one of your all time classic animated films, do it as well as this new “Beauty and the Beast.” Make it as explosively colorful, graceful and charming as Bill Condon’s film.
The new “Beauty and the Beast” lovingly and painstakingly recreates the original as though it were a shot for shot fan video. That may sound like a step down from the animated film’s originality, but Condon devotes such loving care that it’s not hard to get caught up in the magic. Continue reading “Beauty and the Beast”