Jordan Peele’s horror-comedy hybrid “Get Out” is thrilling entertainment but also a great explainer of racial micro-aggressions.
The ending of Jordan Peele’s horror-comedy-hybrid “Get Out” seems almost designed to terrify white people. It looks like something out of a Tarantino movie, not to mention a prejudiced housewife’s worst nightmare. You wonder how they got away with it.
Yet leading up to that ending, everything has been designed to terrify black people. Within this well-crafted, unsettling and disturbingly funny movie, Peele has examined the micro-aggressions of racism and horrors that black people in America experience every day. It’s thrilling entertainment but ironically a great explainer of racial insensitivity. Continue reading “Get Out”
Because all of “The Cabin in the Woods” comes as something of a surprise, this horror film’s real twist is that a movie this clever could end up having an ending so outrageous, cheap and dumb.
It sets loose five teenagers into a slasher-film playground and tempts them with sex, booby traps and creepy gas station attendants before unleashing zombies to murder them.
The clever conceit is that this is a game, if not an experiment, by a secret shadow corporation pulling all the strings. The employees have unexpected fun taking bets on how these kids will choose to die, be it ghosts, psychopathic clowns, mermen, zombies or the notably different family of redneck zombies.
The cute realization is that there are Hollywood studios operating just like this, dropping character types into a fish bowl and then spicing up the outcome with a new monster. Continue reading “The Cabin in the Woods”