Tag: Berenice Bejo

OSS 117: Cairo, Nest of Spies

Like “The Artist,” the spy spoof “OSS 117: Cairo, Nest of Spies” is as wonderfully made as the movies it is spoofing.

OSS 117 Cairo Nest of Spies

After “The Artist” won five Oscars, it looked almost ridiculous that the goofy looking spy spoof “OSS 117: Cairo, Nest of Spies” now had so much award bait pedigree. But you watch this charming and silly film and begin to realize what Michel Hazanivicius must have had in mind all along before making a silent film.

Most movies that parody just about anything riff on names, plot points, characters and once interesting ideas that have become clichéd. But “Nest of Spies” is an image-based spoof. It’s very attentive to what these films look like first and runs from there.

“The Pink Panther,” “Charade, “Austin Powers;” these are all movies that know their target well, but none of them are as well made or visually dynamic as their counterparts.

“Nest of Spies” is. The wacky plot and debonair hero are almost secondary to making the film look right first. Continue reading “OSS 117: Cairo, Nest of Spies”

Oscars 2012: Should Win

“The Tree of Life” leads my picks for who should win at the 2012 Oscars.

When critics write columns detailing who should win at the Oscars, they can be very self-serving.

Mostly, the articles act as a way for bloggers to draw a line in the sand and pick a side, rallying readers who will stand behind them. And in the process we weave an increasingly complex narrative for what a win at the Oscars will mean for our favorite.

It wasn’t enough to have a favorite; we had to be on Team Sandra or Team Meryl. It wasn’t enough to call “The Hurt Locker” the best movie of the year; it had to be a benchmark for 21st Century war films and a victory for female directors.

But none of that matters because the Oscars will act the way they always do and disappoint someone in the way they always have and always will.

My better column on the Oscars focused on the films and actors that were completely forgotten and lost in the shuffle of the Oscar madness. Those Anti-Oscars served as a reminder that there were other good movies this year.

The Oscars themselves are a reminder too, and even if I default to some of the clichés I’ve already mentioned, I plant my flag to recognize quality where it’s due. Most of the nominees are quite good (although some aren’t) and to pick just one is harder than you know.

Best Picture – The Tree of Life

It took seeing “The Tree of Life” only once to recognize it was an important film but twice to see it as a masterpiece. And rarely is a film, least of all an American film this significant, cemented in cinematic history, hotly debated and with this magnificent of a theme, this close to being recognized as such. “The Tree of Life” is not just a work of art that innovates on what cinema can be and make you feel, but it challenged those norms to a wide audience that both embraced and rejected it. Such controversy is always a sign of greatness. Continue reading “Oscars 2012: Should Win”

The Artist

“The Artist” is a whimsical, crowd pleasing film that succeeds on its style and love of the movies, not its story, but for a modern silent film, that’s wonderful.

I should be thrilled “The Artist” is such a winning, fun crowd pleaser of a movie, despite being a silent, foreign film. This movie should be box office poison, and yet it’s whimsical and well made, despite an ultimately flimsy and familiar plot that makes it overrated as a Best Picture frontrunner. Continue reading “The Artist”